Cynthia Nixon and Andrew Cuomo, Aug. 29 CBS

Few distinct differences emerged between the two Democratic opponents for governor on Wednesday night;  one debate for one hour was apparently not enough to get into details.  The only significant difference was that Nixon was in favor of giving public employees the right to strike and Cuomo was opposed.  I'm with Nixon on this one:  as she said, "workers don't want to strike" but they need to have the possibility of that ultimate weapon to ensure good-faith bargaining.

Cuomo and Nixon are both in favor of a single-payer health system; Nixon would start it in New York while Cuomo feels it should be national.

Both candidates think more should be done about homelessness and the cost of housing; specifics were lacking.

Both are in favor of legalizing marijuana.

Both are in favor of raising the minimum wage to $15.

Cuomo accepts contributions from corporation and Nixon does not; Cuomo needled Nixon because she herself is a corporation (common for actors, she said).

There was an absurd discussion about the naming of the Tappan Zee Bridge after Mario Cuomo when some (unidentified) people want to call it the Mario Cuomo Tappan Zee Bridge.

Nixon attacked Cuomo for tolerating corruption and only becoming more progressive when she prodded him; he attacked her for releasing her tax returns on a Friday (that one I didn't quite understand)..

Nixon blamed Cuomo for the problems with the New York subway system and Cuomo blamed De Blasio and the legislature.

In sum:  Cuomo came across as a pragmatic politician, Nixon as a progressive idealist not so different from Cuomo when he was younger.

Goliath and Occupied.

I have not watched much TV lately, except for an occasional baseball game (I usually listen to games on the radio, as televised games and their announcers are worse than ever) but I have enjoyed two shows on line:  Goliath on Amazon and Occupied on Netflix.

 "Occupied" is one of many shows that Netflix has purchased from foreign countries, from England, Spain, Australia and, in this case, Norway.  "Occupied" is from the mind and pen of Jo Nesbo, whose dark detective novels I have not much cared for, but this series shows a certain skill for TV narrative and is fascinating for its insight into the political conflicts of Norway.  In the show  Russia occupies Norway because Russia needs Norway's gas and oil and Norway has shut down its production for climate reasons.  Everyone wants to avoid a war that Norway could not win, so some cooperate and others resist;  Quisling's name is never mentioned but the Nazi occupation of Norway is not far from some people's minds, both in and out of the government.  People in Norway are in many ways like Americans but in many ways different; I live in Bay Ridge and every year there is a Norwegian Day parade. It is depressing to see how many colleges and secondary schools have ceased to require foreign languages and how more isolated some Americans are becoming.  "Occupied "effectively shows life in Norway in detail, including how the colder climate has influenced behavior there.

"Goliath" just showed its second season on Amazon.  I am not a binger but I do like to see one episode after another whenever I please, rather than having to wait a week for the next episode.  David E. Kelley, who wrote many of the first-season episodes, does not write for the second season but Lawrence Trilling, who had a major role in the superb Parenthood, is on the scene as writer and director and Clyde Phillips is the showrunner (Phillips's previous association with "Dexter" may be one of the reasons the new season is gorier than the first one).  Goliath has the subtle and cryptic Billy Bob Thornton as the lead, a character who drinks and womanizes but usually manages to figure things out.  Trilling and Phillips intelligently show the effect of Los Angeles history and locations on Thornton's life and lawyering.

The Americans.

   The Americans ran for six seasons on FX with showrunners Joe Weisberg, a former CIA agent, and Joel Fields.  It was a show about two Russian spies who embedded themselves in Washington D.C. during the Reagan administration, raising two children and running a travel agency as cover.  The show was successful on a number of levels, as a procedural about complex spy operations as well as a low-key essay on what it means to be a citizen of one country while living in another and undermining it.  I think one was sympathetic to Russian spies Elizabeth and Phillip (Keri Russell and Matthew Rhys) because of the show's unusual point of view, i.e., America seen through Russian eyes.  I worked for "The Nation" in the 80's and in those days there was still a great deal of sympathy for Russia.  I even heard James Weinstein, editor of "In These Times", say that he sympathized with Alger Hiss and the Rosenbergs if they were in fact guilty of spying because he would have done the same thing himself.   Who can say whether they really know who was truly in favor of peace?

 Elizabeth and Phillip killed at least a dozen people, most of them innocent, to protect and further their ends.  To them Reagan was as dangerous to the Russians as he seemed to think the Russians were to us and yet one felt torn when Elizabeth and Phillip recruited their own daughter Paige into spying, though their daughter choose to stay in America when her parents flee to Russia after being exposed by a neighbor who worked  for the FBI and thought Phillip was his friend.  The show was a successful period piece that dealt with the politics of the time while generously allowing the viewer to come to his own conclusions. 

The Zen Diaries of Garry Shandling

Judd Apatow's HBO documentary about Garry Shandling takes four hours to demonstrate that Garry Shandling was not funny and neither is Judd Apatow, in person or in the movies he directed.  The biggest problem with most comedy today is how inward it is directed, how it avoids any relationship to the real world.  It is interesting that Shandling decided to go to Hollywood because of a few kind comments from George Carlin at a club in Arizona, since Carlin was the only heir that Lenny Bruce had, in his willingness to confront the absurdities of the world.  Shandling and Apatow and the rest of their ilk (Jerry Seinfeld, et al.) make jokes about themselves and about show business.  Shandling turned down offers to host late-night shows and instead did an unfunny parody of them on HBO -- The Larry Sanders Show -- complete with plenty of four-letter words, even though The Tonight Show and The Late Late Show themselves were already what Dwight Macdonald called "self-parodies: unconscious."

Shandling was restless, neurotic and insecure, still grieving about the death of his brother when they were children.  He could never commit to anything for very long and gradually grew more and more inward as he became interested in Zen Buddism.  He never married or had children and spent years building a house that was apparently never finished.  He mentored lots of other comedians but was quick to fire staff members that he perceived as disloyal.  In the final analysis his comedy was mostly unfunny self-pity.

The Oscars 2018

Why is the Oscar show so tedious?  There are few movies of good quality and even when there are they are usually not nominated; the presenters read tedious justifications for each particular award; the recipients read dull and predictable thanks to everyone they've ever known (almost every recipient spoke from their own script; there was less spontaneity than ever); all the nominated songs are insipid and over-produced; there was little acknowledgement this year about the sexual harassment scandals; the host, Jimmy Kimmel, is not at all amusing and has no relationship to the movie industry, etc.

There were only two winning films that I had seen:  Coco as best feature animated film, and Jordan Peele for writing Get Out.  Coco I have already written about in my movie blog.  Get Out, like most contemporary films, looks as though D.W. Griffith had never lived.  Get Out, however, is at least a passionate and personal film and is an impressive attempt to make a film about racism that avoids the perils of didacticism by placing itself loosely in the horror genre.

Director Glenn Weiss kept the Oscar show moving as quickly as he could but, as usual, there were too many gimmicks, including a visit to a movie theatre across the street (they could better thank the movie audience by making better movies and fewer cartoons and superhero films) and a jet ski for the shortest acceptance speech (at least they didn't use music to give people the bum's rush or have someone saying "get out," as Kimmel threatened). In spite of constantly reminding us that these were the 90th Academy Awards there was little attempt to connect the current show with the past, except for some hurried montages and a tribute to those who died last year,  from which many deceased were absent..

It's clear that the Oscars serve no useful purpose, except perhaps to keep people from making up their own minds what movies are worth seeing.  It's not even clear who the members of the Academy are (mostly older white males, as far as we know), whether they have even seen the movies they are voting on or how the nominations are chosen and by whom.

Designated Survivor

"Designated Survivor" is back after a ten-week hiatus, with an impressive and moving show from showrunner Keith Eisner and director Timothy Busfield, who also plays President Kirkman's (Kiefer Sutherland) shrink, helping him to deal with his wife's death.  Busfield handled the flashbacks of Kirkpatrick telling his kids their mother would not be coming home with intelligence and sensitivity, showing how deep Kirkpatrick's grief was by the intensity of his expressions and, in the same way, showing how deep his anger was when he talked to the driver who killed his wife.

I like Eisner's tendency to concentrate on the President's foreign policy, avoiding the difficulties of domestic problems in a turbulent era by focusing on what is happening internationally.  In this week's episode the focus was on Cuba, as some rebels there kidnapped a Congressional delegation that included Maggie Q, one of the strongest female characters in a series with several of them. The question was whether President Kirkman is too grief-stricken to make forceful decisions.

The American Experience: The Bombing of Wall Street

History can help one understand the present.  Unfortunately there is little history taught these days in schools simply because one cannot teach history without offending some person or other or some point of view.  Most students these days don't know when the Civil War was because it can't be understood without attempting to understand slavery, for example.  The American Experience, on PBS, is one show attempting to put things in the context of history.

Those who think terrorist bombings are something new should watch 'The Bombing of Wall Street", written and directed by Susan Bellows for The American Experience.  The bombing at Wall and Broad Street on Sept. 16, 1920 killed thirty-eight people and injured hundreds of others.  The perpetrators were never found, though the general thinking was that it was the work of Italian anarchists, followers of the deported Luigi Galleani.  Attorney General A. Mitchell Palmer and Justice Department investigator J. Edgar Hoover (who believed Russians were behind the bombing) started keeping lists of suspected "subversives," and the FBI continued to do so for many years, as Italian and Irish immigrants were replaced by Hispanics, Jews and others.

PBS and Turner Classic Movies are the two stations I watch the most.  Before cable TV I would be amused by those who said they only watched Channel 13,  but the station has remained true to itself  (see my posting of Feb. 17, 2017) while all the channels around it have changed and meretriciousness reigns supreme.