Sunday, July 15, 2018

Goliath and Occupied.

I have not watched much TV lately, except for an occasional baseball game (I usually listen to games on the radio, as televised games and their announcers are worse than ever) but I have enjoyed two shows on line:  Goliath on Amazon and Occupied on Netflix.

 "Occupied" is one of many shows that Netflix has purchased from foreign countries, from England, Spain, Australia and, in this case, Norway.  "Occupied" is from the mind and pen of Jo Nesbo, whose dark detective novels I have not much cared for, but this series shows a certain skill for TV narrative and is fascinating for its insight into the political conflicts of Norway.  In the show  Russia occupies Norway because Russia needs Norway's gas and oil and Norway has shut down its production for climate reasons.  Everyone wants to avoid a war that Norway could not win, so some cooperate and others resist;  Quisling's name is never mentioned but the Nazi occupation of Norway is not far from some people's minds, both in and out of the government.  People in Norway are in many ways like Americans but in many ways different; I live in Bay Ridge and every year there is a Norwegian Day parade. It is depressing to see how many colleges and secondary schools have ceased to require foreign languages and how more isolated some Americans are becoming.  "Occupied "effectively shows life in Norway in detail, including how the colder climate has influenced behavior there.

"Goliath" just showed its second season on Amazon.  I am not a binger but I do like to see one episode after another whenever I please, rather than having to wait a week for the next episode.  David E. Kelley, who wrote many of the first-season episodes, does not write for the second season but Lawrence Trilling, who had a major role in the superb Parenthood, is on the scene as writer and director and Clyde Phillips is the showrunner (Phillips's previous association with "Dexter" may be one of the reasons the new season is gorier than the first one).  Goliath has the subtle and cryptic Billy Bob Thornton as the lead, a character who drinks and womanizes but usually manages to figure things out.  Trilling and Phillips intelligently show the effect of Los Angeles history and locations on Thornton's life and lawyering.